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Tuesday, 16 August 2011

Journalists turn to Yeats to describe crisis

If you complain that this is no country for old men, you’re quoting the Irish poet William Butler Yeats. If anything slouches toward anything else (especially Bethlehem), that's a Yeats quote too. You’re quoting Yeats if things fall apart, and if the centre cannot hold. When you describe a rough beast, especially if its hour is come at last, it’s Yeats. If you find yourself fastened to a dying animal, that’s Yeats as well. If, like the Irish Times recently, you ask “Was it for this?” you’re quoting Yeats. Any terrible beauty you might come across, particularly if it’s born, is Yeats’ offspring. If the best lack all conviction (and the worst are full of passionate intensity), you’re quoting Yeats. If you fear mere anarchy loosed upon the world, you’re quoting Yeats. If you urge anyone to tread softly for fear of stepping on dreams, then you’re quoting Yeats.

I thought I'd compile this list as a response to the often-posted 'You're quoting Shakespeare'. The bard has a 320 year headstart on W. B., but he's catching up.

The poems that journalists seem to be particularly fond of quoting are Sailing to Byzantium, Yeats' seemingly successful attempt to transform himself into art to become immortal; He Wishes for the Cloths of Heaven, a love poem; September 1913, Yeats' criticism of a commercialised, soulless Ireland not worthy of those who had martyred themselves for it; Easter 1916, where the poet apologises for denigrating the Irish nationalists, who had just proven themselves capable of heroism in the Easter Rising; and finally The Second Coming, an apocalyptic poem written in the aftermath of the First World War, offering a foreboding vision of the troubling decades ahead.

Wednesday, 3 August 2011

Birmingham

Walking through Birmingham at 2am, the only sound is the occasional lorry bringing stock from around to world to sell in its enormous shopping centre, The Bullring. Apart from that the city is icily quiet, as if even the drunks couldn't bother to be here.

Cities are like people. To age gracefully, what's wanted is a nip here, a tuck there. The French do it well. Streets, like the wrinkles on the face, grow according to the demands of use: only a foolish surgeon would aims to override their contours entirely. And to keep a city beautiful, the planner must, like a face, protect at all costs the features that make it unique.
Industrial towns have their own kind of gruff beauty, deserving of respect. But over the years Birmingham's town planners, like surgery addicts, have allowed developers to perform ever more gruesome intervention.
It started 210 years ago. Back then the centre of Birmingham was an informal market and a network of narrow streets. Prompted by 'disorderly behaviour' and political protests, town planners began to buy up buildings in the area and demolish them. By 1810, Corn Cheaping Street, The Shambles and Cock Street were flattened.

The next great clearance came in WW2. The Free Grammar School was demolished; the glass-roofed Victorian New Street Station was damaged by bombs and never repaired. Then the decision was made to replace Birmingham's centre with a shopping mall. Laing Construction were charged with its execution. The Market Hall was demolished, so was the Fish Market. Spiceal Street and Jamaica Row were flattened. The first Birmingham Bull Ring centre opened in 1964.


Wikipedia says: "The 1960s Bull Ring Centre had problems from the beginning and was very much a product of its era. At the time of its opening it was considered the height of modernity, but higher rentals within the shopping centre meant that traders turned away from it. The public were also less inclined to use the subways and escalators, which stopped working regularly. Also, it did not age well and soon became generally regarded as an unfortunate example of 1960s Brutalist architecture, with its boxy grey concrete design and its isolation within ringroads connected only by dangerous subways. It was, in later days, much disliked by the public and contributed to the popular conception that Birmingham was a concrete jungle of shopping centres and motorways."

20 years after its opening, developers put forward an application to demolish it. It took another 20 years to persuade the public. The job was done by Laing O'Rourke (by now the UK's biggest private developers company - O'Rourke had bought up Laing Construction).

It occupies the entire city centre, bawling out its brand names from the walls. Rather than being designed according to the existing city map, the streets have been reconstructed in obedience to the shopping centre. Its gigantic size seems to have been non-negotiable: the citizen must walk into the complex or go through a forbidding concrete underpass beneath it. This is an environment that actively hates the pedestrian: whole roads are car-only; unfriendly concrete benches are scattered beside the road, as though ironically. Curving tunnels, like tentacles, are flung between the buildings above your head.

It physically dwarfs all other buildings around it. It's enormous size seems unsustainable. How does the mall make enough money from its environs to support itself? Surely it's a mistake to put faith in Selfridges everlasting? What will be done with this building once they're gone?

Away from the shadow of the mall the depressed former high street is pocked with abandoned lots. Here and there on the remaining old brick walls are fading painted signs of what the city used to produce: Malox healthy dog food, Birmingham leathers, Birmingham silks.

Tuesday, 2 August 2011

Fall of the rebels

On Sunday I went to see the Cork 'The Rebels' vs Mayo in the national Gaelic football quarter finals in Croke Park with my dad. Everyone expected Cork to win. They grow them big in Cork, just look:

But Mayo crept up on them in the first half, and in the second half Cork scored only one point. The final score was Mayo 1-13 Cork 2-06 (each goal is worth 2 points, so in total, Mayo scored 1 x 3 + 13 = 16, Cork scored 2 x 3 + 6 = 12). Despite his enthusiasm, this fellow went home disappointed.

After the match, my dad and I did a tour of all the pubs of the area, where he grew up. We went from pub to pub, looking inside and sizing up the crowd, leaving without getting a drink. Quinns was packed with a young crowd of mostly Mayo supporters. It was cavernous inside and pitch black, and it was like stepping forward in time to 4 o'clock in the morning. Fagans' was miserable. It used to be former taoiseach Bertie Ahern's local. A friend of mine wandered in unknowingly and at the urinal, noticed he was peeing beside the head of government. But apparently Bertie doesn't go in there anymore because he's been attacked.

Then we took the road to Fairview and ended up outside a crazy-looking establishment, bristling with flags (Dublin, Ireland, Palestine...). We could hear a band playing so we poked our heads inside. It was an enormous place, packed with hundreds - hundreds - of men in Celtic jerseys. A man was dancing around topless with his 5-year old son. The band's grey-bearded lead singer sang something like "...diddle idle in the Old IRA" and the whole crowd yelled as one "Up the 'RA!"

We turned around and left very quickly.

My dad said this was the infamous Players' Lounge. He'd heard the place discussed on Joe Duffy (a radio chat show the nation calls to complain about all things terrible, awful and shocking). The owner is John Stokes, who's the father of the Celtic player Anthony Stokes. Ahead of Queen Elizabeth II's visit to Ireland, he hung a 60ft banner on the pub saying "She and her family are all officially barred from this pub as long as the British occupy one inch of this island they will never be welcome in Ireland."

This morning the pub was front page news. At 2am this morning armed men broke in, tied the manager up, stole €50,000 and set the place on fire.

This is what it looks like now. I called by to take some photos, people were super cagey. The GardaĆ­ grumbled in my general direction and a few people who were being questioned yelled at me, thinking I was taking photos of their faces.

Everyone is assuming it was done by some Republican faction or other as intimidation. Two customers and the doorman were shot by the Real IRA this time last year.