If you complain that this is no country for old men, you’re quoting the Irish poet William Butler Yeats. If anything slouches toward anything else (especially Bethlehem), that's a Yeats quote too. You’re quoting Yeats if things fall apart, and if the centre cannot hold. When you describe a rough beast, especially if its hour is come at last, it’s Yeats. If you find yourself fastened to a dying animal, that’s Yeats as well. If, like the Irish Times recently, you ask “Was it for this?” you’re quoting Yeats. Any terrible beauty you might come across, particularly if it’s born, is Yeats’ offspring. If the best lack all conviction (and the worst are full of passionate intensity), you’re quoting Yeats. If you fear mere anarchy loosed upon the world, you’re quoting Yeats. If you urge anyone to tread softly for fear of stepping on dreams, then you’re quoting Yeats.
I thought I'd compile this list as a response to the often-posted 'You're quoting Shakespeare'. The bard has a 320 year headstart on W. B., but he's catching up.
The poems that journalists seem to be particularly fond of quoting are Sailing to Byzantium, Yeats' seemingly successful attempt to transform himself into art to become immortal; He Wishes for the Cloths of Heaven, a love poem; September 1913, Yeats' criticism of a commercialised, soulless Ireland not worthy of those who had martyred themselves for it; Easter 1916, where the poet apologises for denigrating the Irish nationalists, who had just proven themselves capable of heroism in the Easter Rising; and finally The Second Coming, an apocalyptic poem written in the aftermath of the First World War, offering a foreboding vision of the troubling decades ahead.
I thought I'd compile this list as a response to the often-posted 'You're quoting Shakespeare'. The bard has a 320 year headstart on W. B., but he's catching up.
The poems that journalists seem to be particularly fond of quoting are Sailing to Byzantium, Yeats' seemingly successful attempt to transform himself into art to become immortal; He Wishes for the Cloths of Heaven, a love poem; September 1913, Yeats' criticism of a commercialised, soulless Ireland not worthy of those who had martyred themselves for it; Easter 1916, where the poet apologises for denigrating the Irish nationalists, who had just proven themselves capable of heroism in the Easter Rising; and finally The Second Coming, an apocalyptic poem written in the aftermath of the First World War, offering a foreboding vision of the troubling decades ahead.






